About Tallulah
Alive is …’A Great Album’
Jools Holland
‘One To Watch’ Evening Standard
‘Fantastic’ BBC Merseyside
‘Mesmerising’ BBC London
‘Breathy vocals are juxtaposed with strong, almost operatic bursts and she can barely hide her star quality… This is Avant-guard rock/pop at its best’ Richmond Harding
‘A soaring and mesmerizing vocal presence combined with theatrical prowess’ James Blake
‘Furiously talented songwriter’ The London Word
‘Same impudent mix of power and vulnerability as Martha Wainwright’ Uncut
ABOUT TALLULAH
Her music is powerful and fragile.
Her performances theatrical, beautiful and mesmerizing.
She is an iconic artist breaking boundaries.
Her second album, ‘Alive’, is a record possessed of a pervasive strength, songs rise into soaring, expansive climaxes – what Joni Mitchell began, Jeff Buckley continued, Patti Smith roared, Radiohead spiralled, Kate Bush harmonized so
….Tallulah Rendall could be born.
She is courageous not only her performance and songwriting, but also in the presentation of her albums, which are released as multi-media projects, involving visual arts, performances, and literature.
Tallulah Rendall is
‘London’s most creative woman’ Aslym/AOL
To date she has released two LPs (Libellus 2009 and Alive 2011) and and EP (Without Time 2006) on her label Transducer Records.
‘Tallulah’s album ALIVE is a testament to the belief that art is a shape shifting goddess with boundless gifts.’ Next Best Thing
‘Singer-songwriter Tallulah Rendall has created an album of gloriously powerful songs characterised by lush instrumentation and a PJ Harvey-esque aplomb.’
Author: Bree Hoskin
ALIVE – 4 stars Daily Mail Music Review
Libellus is a ‘hugely impressive debut album’ Adrian Denning
Recently she has signed a publishing deal with Pledge Music and two songs synced in UK films, Tooting Broadway and Truth Or Dare. (soon to be released)
Whether performing solo or with her full band…’What comes across live is her all-embracing energy… Her incredible aura, and her majestic strength, shows in the command she holds of the stage…’ Richmond Harding




